Foire Papier – Papier Art Fair | 19-22 April 2018 | Foire d’art contemporain | Contemporary Art Fair
www.papiermontreal.com
Papier 2018 Montréal, Quebec
April 19 – 22 Fazakas Gallery Booth: #B13
Arsenal Contemporary Art, 2020 William Street, Montreal, QC H3J 1R8
Artists: The Supper Club (Rande Cook, Carollyne Yardley & Noah Becker), Mark Preston, Charlene Vickers
See full catalogue at Fazakas Gallery here
The Supper Club
This convergence occurred several more times; at different restaurants, a private club, and at one of the artist’s home. Each assembly of The Supper Club included the sharing of a meal between friends. The resulting twenty drawings feature spontaneous explosions of playful marks and remarks; the interchange of loops, dashes, ravens, squirrels, faces, clouds, and formline.
Events photos and media
- Border Crossings’ Editor Meeka Walsh selected Fazakas Gallery Booth B13 as Papier 18 Editor’s Picks Day 2.
- With Caitlin McDonagh
- with Zachari Logan
- LaTiesha Fazakas, Fazakas Gallery Booth B13 presents to National Gallery of Canada tour led by Associate Curator, Jonathan Shaunessy
- Valérie Plante, Mayor of Montréal and Nikolaos Karathanasis, Managing Director, AGAC
Border Crossings
http://bordercrossingsmag.com/blog/entry/papier-18-editors-picks-day-2

Layered World by The Supper Club (Collaborative work by Rande Ola K’alapa, Carollyne Yardley and Noah Becker) at Foire Papier 2018 // Papier Art Fair 2018 via Fazakas Gallery. April 18-22. 2018 in Montreal.
Beyond his duties as chief of Vancouver Island’s ’Namgis Nation and his commitments as an in-demand contemporary artist with an international practice, Cook just completed two back-to-back terms as the Audain Professor of Contemporary Art Practice of the Pacific Northwest with the Visual Arts department.
Carollyne Yardley’s self-coined term ‘Squirrealism’ is used to describe a deep exploration of metamorphosis and identity through her richly detailed neo-classical inspired paintings of masks and hybrid/animal beings. She was also successful in maintaining her registered trademark Carollyne® after being subjected to an expungement proceeding by a large U.S. toy manufacturer.
Noah Becker’s multimedia practice includes writing, publishing, and films, but he is best known for his paintings, which use the idiom of classical portraiture to explore the formal and allegorical possibilities of the human figure. Becker further examines art historical themes and tropes as the Editor-in-Chief of Whitehot Magazine.

Dinner at Rande’s A, 2017, The Supper Club (Rande Cook, Carollyne Yardley and Noah Becker), Pen on paper, 22″ x 30″

Dinner at Rande’s B, 2017, The Supper Club (Rande Cook, Carollyne Yardley and Noah Becker), Pen on paper, 22″ x 30″

Dinner at Rande’s C, 2017, The Supper Club (Rande Cook, Carollyne Yardley and Noah Becker), Pen on paper, 22″ x 30″

Dinner at Rande’s D, 2017, The Supper Club (Rande Cook, Carollyne Yardley and Noah Becker), Pen on paper, 22″ x 30″

Red, Black and Blue, 2017, The Supper Club (Rande Cook, Carollyne Yardley and Noah Becker), Pen on paper, 30″ x 22″

Dinner at Catalano D, 2017, The Supper Club (Rande Cook, Carollyne Yardley and Noah Becker), Pencil crayon, crayon, and pen on paper, 30″ x 22″

Dinner at Catalano E, 2017, The Supper Club (Rande Cook, Carollyne Yardley and Noah Becker), Pencil crayon, crayon, and pen on paper, 30″ x 22″
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