Yearly Archives: 2023

Speculative Futures – RECLAIM Public Artist Residency

By | September 20th, 2023|Uncategorized|

Made in response to the RECLAIM Public Art Residency, I created a new series called Speculative Futures. __ Yardley’s new works are site-specific and made in response to the local history, present day, and future of land use. Ku-sing-ay-las is the Songhees name for downtown Victoria (particularly the area between Wharf and Douglas), which means [...]

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Reclaim Public Art Residency: Steps Public Arts and Victoria Arts Council

By | August 26th, 2023|Art News|

Reclaim Public Art Residency A partnership between VAC and STEPS Public Art Lead Artist: Germaine Koh Participants: Alison Bigg, Laveen Gammie, Mike Glendale, David Martinello, Carollyne Yardley The VAC is hosting a month-long professional development workshop in August 2023. Reclaim focuses on the use of upcycling art and/or construction materials in the creation of new [...]

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Squirrealism: Psychometry (IIC) in artistic practice. [Online presentation] International Multispecies Methods Research Symposium, University of Saskatchewan, Saskatoon, Canada.

By | June 18th, 2023|Art News, Articles and Media, Publications|

Multispecies Methods Research Symposium 2023. It was a pleasure to present my paper and research-creation at the International Multispecies Methods Research Symposium (2023, May 8-12), University of Saskatchewan, Saskatoon, Canada. "The Multispecies Methods Research Symposium is a unique event that brings together scholars, artists, Indigenous Knowledge Keepers, animal care providers, and animal communicators [...]

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Collages: Intuitive interspecies communication and spirit guides

By | March 8th, 2023|Art News, Art of Consumption|

It has been a long time since I've last made a post. The last two years have been difficult, as I was in a primary and secondary caregiving role for two older relatives faced with complex and critical illnesses. I will elaborate on this more in future. But in the meantime, I've been experimenting with [...]

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